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Scanning the Past: Library to Digitize Fashion Sketchbooks of Acclaimed Designer

Grant allows for purchase of high-resolution scanner for preservation work

New York couturi猫re designer Pauline Trig猫re, whose career spanned more than five decades, left behind a legacy of fashion innovation meticulously preserved in volumes of sketchbooks and press clippings. 

Those volumes have had a home at  since 1993 and soon will be accessible to everyone. 

A sketch from Pauline Trigere's 1945 spring collection.

University Libraries received a Humanities Collections and Reference Resources grant from the for a project to digitize the entire Trige虁re collection, which fills more than 10 feet of shelving in the library basement. 

The project, 鈥淧auline Trige虁re: Fifty Years of American Fashion Entrepreneurship and Design,鈥 is led by Digital Projects Librarian Virginia Dressler and Edith Serkownek, head of , which serves the students and faculty in Kent State鈥檚 Shannon Rodgers and Jerry Silverman School of Fashion Design and Merchandising.

Kent State Digital Projects Librarian Virginia Dressler shows the new high-resolution scanner recently purchased by the library with grant money from the National Endowment for the Humanities.

The grant, totaling $165,947, was used to purchase a high-resolution scanner and will pay the salaries of student workers to help with the digitization tasks over the next two years, Dressler said. 

The new scanner recently was installed on the ninth floor of the University Library, and staff have been getting trained in how to use it. 

鈥淭his has been called the Cadillac and Ferrari of scanners,鈥 Dressler said. 鈥淚t鈥檚 really a Ferrari because it鈥檚 so fast.鈥 

The scanner is so fast that Dressler has been able to scan one book in about 15 minutes, rather than the hour or longer that it previously would have taken.  

Once this project is completed, Dressler said the scanner will be used for numerous other projects for digitizing library collections and rare books, so that they can be accessible online to anyone. 

鈥淭here are so many ways this will be used on all kinds of projects,鈥 she said. 

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Edith Serkownek, head of Kent State's Fashion Library.
Edith Serkownek

Serkownek said many people are not familiar with Trige虁re, a native of Paris who immigrated to the United States in 1937 with her family, to escape growing Nazi influence in Europe.  

Their intent was to continue to South America, but instead, they remained in New York. The daughter of a tailor and dressmaker, Trige虁re found work in New York鈥檚 garment industry and by 1942 had started her own label. 

Trige虁re quickly found success and established herself as one of the country鈥檚 leading designers of women鈥檚 high-end, ready-to-wear fashion. For the next 50 years, her work would be sold in department stores and boutiques across the country and worn by many of America鈥檚 most prestigious women, including Grace Kelly, Jacqueline Kennedy Onassis, Elizabeth Taylor, Lena Horne, Angela Lansbury, Bette Davis. 

Serkownek said Trige虁re was successful at a time when many American designers were overlooked for their French counterparts, such as Dior and Chanel. But she capitalized on the American ready-to-wear market and became well known as a high-end designer, a step below couture. 

鈥淪he ran her business here for 50 years and I think she represented the marriage of two things: the great American ingenuity of ready-to-wear with the sheen of a French tastemaker,鈥 Serkownek said.  

While her name is less well known today, Trige虁re was a fashion force for more than 50 years, and broke many boundaries, Serkownek said.

Sketches from the collection of fashion designer Pauline Trigere.

 In 1961, Trige虁re hired Beverly Valdes as the first Black woman, to serve as a house model for a high-status fashion house in the United States; she also introduced the jumpsuit as a fashion staple for women in the 1960s. 

Trige虁re, who died in 2002 at age 93, was friends with Rodgers and Silverman, the namesakes of Kent鈥檚 fashion school, and visited campus in the 1990s, which is how she came to donate her materials to Kent State. The 5X社区 Museum also is home to several Trige虁re creations. 

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Fashion Designer Pauline Trigere
笔补耻濒颈苍别&苍产蝉辫;罢谤颈驳别虁谤别

Serkownek said Trige虁re designed her collections from fabric first, cutting and pinning the garment as she created, a technique she demonstrated in lectures at Kent State. Trige虁re then hired professional artists to make sketches of the dresses. 

The collection includes 106 sketchbooks, and 226 scrapbooks of press clippings that show how her work was covered, promoted and perceived.  

Dressler said the grant will pay for two part-time student workers to help with the scanning and entering its metadata. Students interested in the positions may apply by emailing Dressler with their interest at ; the job also will be posted to within the coming weeks. 

鈥淚 applaud professors Dressler and Serkownek for their work. The Trige虁re sketchbooks are hidden gems that our new scanner will enable us to digitize and share with the world, and it鈥檚 just the beginning," said "The scanner is a foundational piece that will help us grow our support of digital scholarship in the years to come.鈥

The National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation.

POSTED: Wednesday, October 11, 2023 02:07 PM
Updated: Wednesday, October 11, 2023 03:10 PM
WRITTEN BY:
Lisa Abraham